Storyboard

0:00 - 0:07
Tracking medium shot of car pulling up

0:07 - 0:30
Wide shot of detective and intern outside of the shipping container, opening it

0:30 - 0:34
Close-up of door opening

0:34 - 0:40
Wide shot of detective entering the shipping container

0:40 - 0:43
Close-up of detective looking at watch

0:43 - 0:47
Close-up of detective's face, serious

0:47 - 0:53
Wide establishing shot of shipping container interior

0:53 - 1:00
Tracking shot of detective approaching the body (ambiguous whether he is dead of alive)

1:00 - 1:04
Extreme close-up of victim's face

1:04 - 1:09
Tracking/pan shot from victim's face to the knife at the back of his head (close-up)

1:09 - 1:13
Low angle shot of detective preparing his notes with body unfocussed in the background

1:13 - 1:16
Wide shot of intern, detective and the rest of the shipping container (re-establishing shot)

1:16 - 1:20
Extreme close-up of knife wound

1:20 - 1:25
Focussing and unfocussing over-the-shoulder shot from dead body's perspective

1:25 - 1:29
Close-up of detective's face, satisfied

1:29 - 1:34
Wide shot of detective leaving scene

1:34 - 1:38
Mid-shot of door closing

1:38 - 1:40
Fade out

** Storyboard is subject to change **

** Credits will be either alternating with the scenes, or all at the end, whichever turns out to be more suitable **

Shooting Schedule

• 9am to 10am : Preparation/debrief
• 10am to 11am : Shot of car pulling up (tracking wide/medium/close-up shots) and pulling away
• 11am to 12am :  Shots of detectives getting out of car, close-ups and mid-shots of detectives arriving on the scene, as well as leaving the scene.
• 12am to 12:15pm : Break (if needed)
• 12:15pm to 1pm : Wide shots of container (interior and exterior)
• 1pm to 1:30pm : Lunch
• 1:30pm to 3pm : Interior shots of victim and crime scene (wide, medium and close up shots), close up of knife and blood
• 3pm to 4pm : Detectives over-the-shoulder shot of conversation
• 4pm to 5pm : Close-up of detective investigating crime scene and low angle shots

Re-location

We found a shipping container that is accessible on the day of shooting. It is very similar to the set we were going to make in the studio, but it is already made. There is also a road going up hill leading straight up to the containers where the car can pull up. It is very secluded giving it a very eerie feel, allowing questions as to how the body ended up there. It will give more time as we will not have to make the set. It outside so we will not have to use lighting to make it look cold.